Crawl

Crawl is a cross-genre game with roguelike, bullet hell, and brawler elements for up to four offline players and bots. The main player advances through randomly generated dungeons as a human hero while up to three other spirit players control the dungeon's enemies and traps to kill the main player. The spirit player who kills the human hero swaps roles to become the next main player. Players earn experience as they progress through the dungeon in both the human hero and the non-human spirit roles.

Hero experience unlocks new attacks and spells, and spirit experience unlocks stronger enemies to possess. Each player's human hero experience level, weapon, and stats progress is preserved between turns. Crawl was designed to be more fast-paced and arcade-like than strategic, and includes genre-standard activities like collecting loot and upgradable weapons and magic items. Once player spirits possess "monster spawners" and traps in the active room, they cannot leave the form until they die or kill the main character.

Crawl was developed by Powerhoof, a two-person indie studio based in Melbourne. They described the game as their version of four-player Gauntlet combined with the Japanese bullet hell genre, or a combination of Super Bomberman and The Legend of Zelda. The game was made on the Unity game engine, and the developers designed a pixelated version of Gabe Newell as an in-game boss.

The game was "greenlit" on Steam within twenty-four hours. There is no online multiplayer. The game was expected for release on Steam Early Access in July 2014, but was delayed due to an issue pertaining to Powerhoof's taxes and formation as a company. The game was released on Steam Early Access on August 6, 2014 for Microsoft Windows, OS X, and Linux platforms.

Critics placed Crawl in a trend of local multiplayer functionality amongst indie games. Pete Davison of USgamer wrote that the game bridged multiple genres and was an example of the resurgence of couch co-op's fashionability. Rock, Paper, Shotgun's Nathan Grayson compared the game's premise with Dungeonland. Hardcore Gamer's Marcus Estrada called the game's concept "ingenious" and praised its capacity as a party game. In reviewing a prerelease version, Estrada wrote that the game had issues with gameplay pacing, lackluster artificial intelligence, and opportunities for players to hold up the game.

The game sold over 10,000 copies in its first 12 days on sale on early access.