FAR: Lone Sails

In FAR, the player controls the driver of a large vehicle as they search through a post-apocalypse setting. The game is played from a side-scrolling perspective, with the vehicle interior seen as a cross-section. To control the vehicle the player must move around inside it, operating stations and pressing buttons to perform various functions that keep the vehicle moving, such as engaging the engine or filling the boiler with fuel sources found over the course of the player's journey. The various parts of the vehicle can take damage, requiring the player to stop and extinguish fires and repair damaged systems.

They are also required to solve puzzles in the world to allow the vehicle to pass and collect upgrades for it. The game has no enemies, though the player-character can die due to environmental hazards, and will restart at the last checkpoint.

FAR began in 2015 as the Bachelor's degree student project of lead developer Don Schmocker at the Zurich University of the Arts. During his master's degree he continued the development together with his fellow student Goran Saric. They founded the game studio Okomotive in February 2017 and expanded the team with other students and friends from University. Schmocker was inspired by Strandbeests, the book Stephen Biesty's Incredible Cross-Sections, The Straight Story, and games such as Journey and LittleBigPlanet when designing FAR.

Looking to take a new approach to the use of vehicles in video games, the developers aimed to create a game where the player was dependent on their vehicle, forming an emotional attachment to it over the course of the game. The game is developed in Unity, and the developers use Blender and Adobe Photoshop for the 3D and 2D graphics respectively.

FAR received "generally favorable" reviews, according to review aggregator website Metacritic.

Writing for Mashable, Anna Washenko named the game as one of her favorites from E3 2016, calling it a "simple but lovely game". After playing the game at GDC 2017, Chris Livingston of PC Gamer described FAR as "one of the most intuitive games" he had played, also praising the visual design and music. On Polygon, Charlie Hall described the game as having "more meaning, conveyed silently, than many major AAA games released so far this year". Kyle Hilliard of Game Informer praised the game's ability to connect the player to their vehicle, the world building, and the puzzles.