Date Everything!

Date Everything takes place entirely within a single suburban home. E. — when pointed at something. This can range from everyday objects, such as a shelf, towel, or refrigerator, to more abstract things such as air and the concept of existential dread.

, the object will appear as an anthropomorphized version of itself, and can engage in direct conversation. There are 100 "dateables" in the game, and the player is able to interact with up to five per in-game day, with these interactions affecting their relationships with each dateable. Players can develop one of three relationship outcomes with each dateable—love, friendship, or hate—depending on dialogue choices and interactions, with the game providing different endings based on the player's relationships. After reaching a non-hate relationship with a dateable, and acquiring sufficient stat points, the player is given the option to "Realize" them, turning them from an abstract entity into a real human.

Date Everything is the first game developed by Sassy Chap Games, a studio formed by professional voice actors Ray Chase, Robbie Daymond, and Max Mittelman. The three had previously collaborated on several creative ventures, and in 2018 decided they wanted to try making a video game. While informally brainstorming, Daymond suggested a game where the player could date inanimate objects, and Chase opted to pursue the idea, becoming the game's lead designer and creative director. Roughly four years were spent developing a vertical slice and pitching the game to publishers, though progress briefly stalled due to a lack of publisher interest and complications from the COVID-19 pandemic.

Early versions of the game featured escape room elements, but these were removed because the team thought it wasn't much fun and made the game too linear, leading to the sandbox approach instead. In 2022, Team17 agreed to publish the game.

Date Everything received "generally favorable" reviews for the Nintendo Switch, Windows and Xbox Series X/S versions while the PlayStation 5 version received "mixed or average" reviews, according to review aggregator Metacritic. In 2025, it was a finalist for a TIGA award in the "Narrative/Storytelling" category.