Sable

Sable is an open world exploration video game, in which the player can roam and adventure in a non-linear way. The game has no combat or set storyline, since the narrative is explored through NPC dialogue and environmental cues, such as remnants of an ancient civilization left to interpretation. It emphasizes simple puzzle-solving and discovery, traversing sand dunes and ruins. Platforming mechanics are put into place through a stamina gauge that allows for running and climbing, as well as the ability to glide in mid-air.

Parts of the game are customizable, such as Sable's hoverbike and clothing, including the story driven masks. Both hoverbike parts and clothing items can be acquired either by simply exploring the game's world, or by completing quests given by an array of characters, which often revolve around collecting small materials such as bugs or fruit. While clothing is purely cosmetic, with the exception of a few masks, different hoverbike parts affect how the player traverses the world of Midden, with different parts offering several degrees of maneuverability, acceleration and top speed.

Daniel Fineberg and Gregorios Kythreotis began development on Sable in 2017, working in a shed belonging to the latter's parents. The two-person indie development team is known as Shedworks. Writer Meg Jayanth also contributed to the game, while musician American singer-songwriter, Michelle Zauner, using the name of her band Japanese Breakfast, provided the game's soundtrack.

The game's concept came from the planet Jakku on Star Wars: The Force Awakens. Its art style was inspired by the sci-fi works of Jean Giraud (who is commonly known under the name Mœbius). The game was also inspired by The Legend of Zelda: Breath of the Wild. Each of the game's environments are hand-crafted. An extensive art book titled Sable Design Works was published by Lost in Cult in 2024.

Sable received "generally favorable" to "mixed or average" reviews, according to review aggregator website Metacritic.

Jonathan Peltz, writing for Wired, praised the game as "[...] gorgeous and endlessly GIF-able". Alice Bell of Rock Paper Shotgun, credited the game for looking "[...] fabulous in the flesh" and managing to meet the aesthetic expectations set by trailers and teased content.