Save Mary

Barnaby Black has placed Mary at the bottom of a steep canyon which is slowly filling with water. The player controls a crane to pick up various blocks that must be fit together to allow Mary to climb them to escape the rising water levels. Mary panics and moves back and forth climbing platforms near her. To progress, the player must move the crane left and right along its rails and lower the crane's hook and pick up objects such as bricks for Mary to traverse on, items to assist the player, and to pick up and rescue Mary herself.

Items can be found that cause various effects for the player, ranging from controlling the water flow, moving the crane faster, stopping Mary from moving across the board and making her invulnerable to the bricks the player drops.

Save Mary was made by Tod Frye. Frye had a long history with Atari, joining the company in 1979 where he made the 1982 port of Pac-Man for the Atari 2600. Following the release of the high-selling but poorly received game, Frye earned over $1.3 million in royalties but found most of his money had been depleted by 1985.

Upon Jack Tramiel's acquisition of the Atari consumer division and launch of the Atari ST computer line, Tramiel began focusing on reviving the Atari 2600, hiring Michael Katz from Epyx in November 1985 to take on the role of the president of Atari's new Entertainment Electronics Division. Frye had been working for Epyx porting computer games such as Summer Games to the Atari 2600 and then found himself next working for Nolan Bushnell's firm Axlon in 1989. While at Axlon, Frye worked on games like Shooting Gallery and Save Mary. These titles went unreleased as development on games had then shifted to the new system, the Atari Lynx.

Since its official release, the game has received positive reviews from publications such as Video Game Collector, NintendoLife, and Destructoid. Matt Reichert of Video Game Collector magazine stated in 2008 that Save Mary was an interesting Tetris-variant and that "Atari had a real winner on its hands." Ollie Reynolds of NintendoLife commented on the game in the Atari 50 2023 update release, stating that the title was a slow, methodical game, but immensely fun. Zoey Handley of Destructoid stated that the game was a "pretty fantastic" Atari 2600 title.